 The
90th Anniversary of the Armistice
On the 11th November 1918, at 11 in the morning, the guns
fell silent on the Western Front. The Armistice between the
Allies and Germany had been signed six hours earlier. It was
the end of the Great War. It was the very great privilege of
the Dover War Memorial Project to be invited to
commemorative events in London.
LAUNCH OF "CROSSING THE WHITE LINE" EXHIBITION - 10th November 2008
The day before the anniversary saw
the launch of the Walter Tull exhibition. Led by the City of
Westminster Archives, and funded by the Heritage Lottery Fund, the commemorations
for the first black combat officer in the British Army, and the
first black outfield football player, have been taking place all
year across Britain.

The mural tells the story of Walter Tull. It was designed by
Jonathan Boast, and the eight panels were painted by young
people in Dover, Northampton, London, and Glasgow.
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The Methodist Central Hall, in London, was the venue for
the launch.
Walter's family were strongly Christian, and attended
regularly the chapel in Folkestone, where they lived.
When the children were orphaned, it was a Methodist-run
home, at Bonner Road in London, that took in Walter and
Eddie, his younger brother. |
The
launch was packed. Mingling were MPs, a well-known
Queen's Counsel(!), professional footballers, the Mayor
of Westminster, West Indian Ex Service people. Jonanthan
Boast, and representatives from the partners in
the project, The Professional Football Association, the
National Army Museum, the National Football Museum,
the Scottish Football Museum, and the Dover War Memorial
Project |
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But the guest of honour was Mrs Rita Humphrey. She is
the great niece of Walter Tull; granddaughter of
Walter's older brother William. Here she is, with, on
the left, Phil Vasili, biographer of Walter Tull. He
first discovered Second Lieutenant Tull's amazing story
while researching black footballers. Above - that's Rita
with her husband, Charles. On the right is Camilla
Bergman, from the Archives. She organised the
commemorative events and designed the materials - and so
busy was she, and so frenetic the pace, that by the end,
she tells us, she felt just like a ping-pong ball! |
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Right and below are panels from the
exhibition.
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Here on the left is the page from the Bonner Road children's home,
where is entered Walter's name (detail above). He was
allocated to Sunday School house with other orphan boys
William, Samuel, Frank, and John. . . |
What a treat for afterwards! Children
from St Vincent de Paul RC school had been preparing a
musical performance based on the life of Walter Tull. |
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The scripts for each scene had been
written by eight different schools around the country,
during drama workshops led by Peter Daniel, from the archives. He's
above, introducing the world premiere of "Crossing
the White Line".. |
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It was a magnificent performance,
with songs we were humming long after we'd gone home.
Tear-jerking was the sorrowful "Please don't leave us",
when Eddie and Walter were taken to the children's home
by their grieving stepmother, Clara, and the death of
Walter on the battlefield. Roof-raising was the football
match, with twenty-to-the-dozen commentating, and the
edgy hilarity of the army doctor, cursorily passing
conscripts "Off to Fight for England". |
In the window of the Central
Methodist Hall is the story of one man who lost his life
doing just that. Looking at the photos of her family is
Rita, with Maggie |
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Below is Alice Tull, nee Palmer,
Walter's mother. she came from Dover, and probably met
Daneil, Walter's father, at the chapel where they
worshipped. On the right are the family; this picture
may have been taken at the time of Alice's funeral.
The top row are William, Eddie, and Daniel, their
father. On his lap is Elsie, with Walter in the centre,
and Cecilia next to him. Their first daughter, Bertha,
had died as a baby in 1881. |
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In the centre, in his army uniform,
their famous son and brother, Walter Tull. |
pictures by
Simon John Chambers
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